"The strategy of appropriation no longer attests to a particular stance toward the conditions of contemporary culture. To say this is both to suggest that appropriation did at first seem to entail a critical position and to admit that such a reading was altogether too simple. Appropriation, pastiche, quotation-these methods extend to virtually every aspect ofour culture, from the most cynically calculated products the fashion and entertainment industries to the most committed critical activities of artists, from the most clearly retrograde works (Michael Graves's buildings, Hans Jiirgen Syberberg's films, Robert Mapplethorpe's photographs, David Salle's paintings) to the most seemingly progressive practices (Frank Gehry's architecture, Jean-Marie Straub and Daniele Huillet's cinema, Sherrie Levine's photography, Roland Barthes's texts). If all aspects of the culture use this new operation, then the operation itself cannot indicate a specific reflection upon the culture."
Douglas Crimp
Do Women STILL Have to be Naked to Get Into the Met. Museum? / Campaña publicitaria, 1989, 2005 y 2012
1984
Lisa Lyon / Fotografía analógica, 1982
1946-1989
Enbankment / Colección de postales, 2009
1943/1942
Sin título / Gouache sobre papel, 1973
1941-2010
Desnudo bajando la escalera / Serigrafía, 1971
1963-1981
L.H.O.O.Q / Varios formatos, 1919
1887-1968
Lepanto (fragmento) / Serie, Cera sobre tela, 2001
1928-2011
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